Trinity eQ is a detailed emulation of a coveted and highly sought out British console equalizer that has been used in countless records throughout the world. To faithfully reproduce the elusive analog sound in your DAW, we recommend using Trinity eQ in all tracks where you need to shape or even just color the sound.
On single track: Insert Trinity eQ on the audio tracks in any position of the effects chain (to taste). Trinity eQ sounds great on any instrument and voices.
On master track: Trinity eQ is inserted on the mixbus, or group bus, as last insert giving at the whole mix the classic British console sound.
D361A Special Edition v1.3.609
Despite the digital revolution in the pro audio industry, many of today’s top albums are still mixed with analog outboard gear. Mixing with analog devices sounds better to many people. There is a very elusive quality imparted that is missing in digital audio, there is more weight to a mix, and the overall sound is more three dimensional. Analog devices produce electrical artifacts that affect frequency response, add harmonics, cause signal clipping and increase noise. These artifacts, which audio engineers often consider the character of a particular device, result from a combination of factors such as component grade, technology type (i.e. vacuum tubes, ICs, transistors), power supply specifications, equipment casing and other variables.
Depending on the circuit characteristics, input signal frequency response varies. Some circuits cut frequencies, others boost them. This behavior is part of the overall device character and should not be confused with user adjustable EQ.
Total harmonic distortion (THD) is based on the levels of the odd and even harmonics of an input signal, usually at a level much lower than the fundamental level. THD balance and decay are circuit dependent, and thus differ from device to device.
CrossTalk and Noise are two elements which every designer tends to avoid to not affect the audio quality. Since in the analog world they can't be avoided, fortunately in digital domain with Volterra Technology we have reduced the noise at less of -120dBfs and completely avoided CrossTalk during the sampling.
The result is an optimum full quality sound from a like-new working condition hardware.
We have recreated these non linearity characteristics into D361A by sampling a unit in excellent condition (refurbished and modified by AlexB - Alessandro Boschi). Your tracks will become more alive with the classic vibe of a real hardware and you may notice that your mixes may take on an almost magical quality with punch, glue, and dimension that you didn’t hear with your other algorithmically based plugins.
Console Plugin Suite v1.3.606.0
Despite the digital revolution in the pro audio industry, many of today’s top albums are still mixed on analog consoles. Mixing into an analog desk just sounds better. Everything sits better in the mix, there is more weight to the bottom, and the overall sound is more three dimensional. Analog devices produce electrical artifacts that affect frequency response, add harmonics, cause signal clipping and increase noise. These artifacts, which audio engineers often consider the character of a particular device, result from a combination of factors such as component grade, technology type (i.e. vacuum tubes, ICs, transistors), power supply specifications, equipment casing and other variables. Depending on the circuit characteristics, input signal frequency response varies. Some circuits cut frequencies, others boost them. This behavior is part of the overall device character and should not be confused with user adjustable EQ. Total harmonic distortion (THD) is based on the levels of the odd and even harmonics of an input signal, usually at a level much lower than the fundamental level. THD balance and decay are circuit dependent, and thus differ from device to device. Crosstalk and Noise are two elements which every designer tends to avoid to not affect the audio quality. Since in the analog world they can't be avoided, fortunately in digital domain with Volterra Technology we have reduced the noise at less of -120dBfs and completely avoided Crosstalk during the sampling. The result is an ideal full quality sound from a perfect working condition hardware. We have recreated these non linearity characteristics into Neo Console by sampling a vintage console in perfect working conditions. Your DAW will become more alive with the classic vibe of a real desk and you may notice that your mixes take on a subtle enhancement in punch, glue, and dimension.
Acustica Audio Silk Eq v.1.3.693.0
The Silk Eq is inspired by the sound of a German built equalizer from the 1960’s, featuring transformer balanced inputs and outputs, discreet Transistor buffer and gain stages, switched inductive Mid Band, and broad Low and High shelves.
Silk Eq can be used on a broad range of sound sources -- single instruments, buss duties, and overall mix sweetening.
Initial client feedback has suggested it’s very musical on Vocals, Acoustic instruments.
Silk is available in 4 sampling frequencies: 44.1, 48.0, 88.2, 96.0
Every chain has been precisely sampled with custom converters built specifically for this purpose, high end cables, with particular care to the connections, levels and impedance matching. They are accurately programmed without destructive digital processing for optimized sound, performance and CPU load. The result is a no-compromise, high quality, professional plugin sampled at 44.1kHz and 96kHz without introduction of noise or aliasing, which gives an analog and organic sound with a wide, deep and holographic soundstage. StradiPad doesn't sound processed, harsh or digital as most plugins do, but it sounds like a natural extension of the original audio, gluing your tracks in the mix with an analog vibe.
Acustica.Audio.Cooltec.EQP1.v1.3.609.0
The Silk Eq is inspired by the sound of a German built equalizer from the 1960’s, featuring transformer balanced inputs and outputs, discreet Transistor buffer and gain stages, switched inductive Mid Band, and broad Low and High shelves.
Silk Eq can be used on a broad range of sound sources — single instruments, buss duties, and overall mix sweetening.
Initial client feedback has suggested it’s very musical on Vocals, Acoustic instruments.
Silk is available in 4 sampling frequencies: 44.1, 48.0, 88.2, 96.0